|
1922
|
1 Boy do I have a treat for you guys!
|
|
|
2 If this works you can send thanks to emeli@magnus.acs.ohio-state.edu for
|
|
|
3 bringing it to you, though I did not transcribe it.
|
|
|
4
|
|
|
5 "Monty Python and the Holy Grail"
|
|
|
6 -- the strictly unofficial script of the movie,
|
|
|
7 done in a fit of boredom by =AHH 01Jan87=
|
|
|
8
|
|
|
9 The Cast (in order of appearance [roughly]):
|
|
|
10 KING ARTHUR : Graham Chapman
|
|
|
11 PATSY : Terry Gilliam
|
|
|
12 GUARD #1 : Michael Palin
|
|
|
13 GUARD #2 : John Cleese
|
|
|
14 MORTICIAN : Eric Idle
|
|
|
15 CUSTOMER : John Cleese
|
|
|
16 DEAD PERSON : ???
|
|
|
17 DENNIS : Michael Palin
|
|
|
18 WOMAN : Terry Jones
|
|
|
19 BLACK KNIGHT : Michael Palin?
|
|
|
20 VILLAGER #1 : Eric Idle
|
|
|
21 VILLAGER #2 : Michael Palin
|
|
|
22 SIR BEDEMIR : Terry Jones
|
|
|
23 WITCH : ???
|
|
|
24 VILLAGER #3 : John Cleese
|
|
|
25 NARRATOR: Michael Palin
|
|
|
26 SIR LANCELOT : John Cleese
|
|
|
27 SIR GALAHAD : Michael Palin
|
|
|
28 SIR ROBIN : Eric Idle
|
|
|
29 GOD : ???
|
|
|
30 FRENCH GUARD : John Cleese
|
|
|
31 MINSTREL : ???
|
|
|
32 LEFT HEAD :
|
|
|
33 MIDDLE HEAD :
|
|
|
34 RIGHT HEAD :
|
|
|
35 Graham Chapman
|
|
|
36 Terry Jones
|
|
|
37 Michael Palin
|
|
|
38 OLD MAN : Terry Gilliam
|
|
|
39 HEAD KNIGHT OF NEE : Michael Palin
|
|
|
40 FATHER : Michael Palin
|
|
|
41 PRINCE HERBERT : Graham Chapman?
|
|
|
42 GUARD #1 : Eric Idle
|
|
|
43 GUARD #2 : ???
|
|
|
44 CONCORDE : Eric Idle
|
|
|
45 OLD CRONE : ???
|
|
|
46 ROGER THE SHRUBBER : Eric Idle
|
|
|
47 TIM THE ENCHANTER: John Cleese
|
|
|
48 BROTHER MAYNARD: Eric Idle
|
|
|
49 SECOND BROTHER: Michael Palin
|
|
|
50
|
|
|
51 Scene 1
|
|
|
52
|
|
|
53 [wind]
|
|
|
54 [clop clop]
|
|
|
55 ARTHUR: Whoa there!
|
|
|
56 [clop clop]
|
|
|
57
|
|
|
58 GUARD #1: Halt! Who goes there?
|
|
|
59 ARTHUR: It is I, Arthur, son of Uther Pendragon, from the castle
|
|
|
60 of Camelot. King of the Britons, defeator of the Saxons, sovereign
|
|
|
61 of all England!
|
|
|
62 GUARD #1: Pull the other one!
|
|
|
63 ARTHUR: I am. And this my trusty servant Patsy.
|
|
|
64 We have ridden the length and breadth of the land in search of knights
|
|
|
65 who will join me in my court of Camelot. I must speak with your lord
|
|
|
66 and master.
|
|
|
67 GUARD #1: What, ridden on a horse?
|
|
|
68 ARTHUR: Yes!
|
|
|
69 GUARD #1: You're using coconuts!
|
|
|
70 ARTHUR: What?
|
|
|
71 GUARD #1: You've got two empty halves of coconut and your bangin'
|
|
|
72 'em together.
|
|
|
73 ARTHUR: So? We have ridden since the snows of winter covered this
|
|
|
74 land, through the kingdom of Mercea, through--
|
|
|
75 GUARD #1: Where'd you get the coconut?
|
|
|
76 ARTHUR: We found them.
|
|
|
77 GUARD #1: Found them? In Mercea? The coconut's tropical!
|
|
|
78 ARTHUR: What do you mean?
|
|
|
79 GUARD #1: Well, this is a temperate zone.
|
|
|
80 ARTHUR: The swallow may fly south with the sun or the house martin
|
|
|
81 or the plumber may seek warmer climes in winter yet these are not
|
|
|
82 strangers to our land.
|
|
|
83 GUARD #1: Are you suggesting coconuts migrate?
|
|
|
84 ARTHUR: Not at all, they could be carried.
|
|
|
85 GUARD #1: What -- a swallow carrying a coconut?
|
|
|
86 ARTHUR: It could grip it by the husk!
|
|
|
87 GUARD #1: It's not a question of where he grips it! It's a simple
|
|
|
88 question of weight ratios! A five ounce bird could not carry a 1 pound
|
|
|
89 coconut.
|
|
|
90 ARTHUR: Well, it doesn't matter. Will you go and tell your master
|
|
|
91 that Arthur from the Court of Camelot is here.
|
|
|
92 GUARD #1: Listen, in order to maintain air-speed velocity, a swallow
|
|
|
93 needs to beat its wings 43 times every second, right?
|
|
|
94 ARTHUR: Please!
|
|
|
95 GUARD #1: Am I right?
|
|
|
96 ARTHUR: I'm not interested!
|
|
|
97 GUARD #2: It could be carried by an African swallow!
|
|
|
98 GUARD #1: Oh, yeah, an African swallow maybe, but not a European
|
|
|
99 swallow, that's my point.
|
|
|
100 GUARD #2: Oh, yeah, I agree with that...
|
|
|
101 ARTHUR: Will you ask your master if he wants to join my court
|
|
|
102 at Camelot?!
|
|
|
103 GUARD #1: But then of course African swallows are not migratory.
|
|
|
104 GUARD #2: Oh, yeah...
|
|
|
105 GUARD #1: So they couldn't bring a coconut back anyway...
|
|
|
106 [clop clop]
|
|
|
107 GUARD #2: Wait a minute -- supposing two swallows carried it together?
|
|
|
108 GUARD #1: No, they'd have to have it on a line.
|
|
|
109 GUARD #2: Well, simple! They'd just use a standard creeper!
|
|
|
110 GUARD #1: What, held under the dorsal guiding feathers?
|
|
|
111 GUARD #2: Well, why not?
|
|
|
112
|
|
|
113 Scene 2
|
|
|
114
|
|
|
115 MORTICIAN: Bring out your dead!
|
|
|
116 [clang]
|
|
|
117 Bring out your dead!
|
|
|
118 [clang]
|
|
|
119 Bring out your dead!
|
|
|
120 [clang]
|
|
|
121 Bring out your dead!
|
|
|
122 [clang]
|
|
|
123 Bring out your dead!
|
|
|
124 [clang]
|
|
|
125 Bring out your dead!
|
|
|
126 [clang]
|
|
|
127 Bring out your dead!
|
|
|
128 [clang]
|
|
|
129 Bring out your dead!
|
|
|
130 [clang]
|
|
|
131 Bring out your dead!
|
|
|
132 [clang]
|
|
|
133 Bring out your dead!
|
|
|
134 [clang]
|
|
|
135 Bring out your dead!
|
|
|
136 [clang]
|
|
|
137 Bring out your dead!
|
|
|
138 CUSTOMER: Here's one -- nine pence.
|
|
|
139 DEAD PERSON: I'm not dead!
|
|
|
140 MORTICIAN: What?
|
|
|
141 CUSTOMER: Nothing -- here's your nine pence.
|
|
|
142 DEAD PERSON: I'm not dead!
|
|
|
143 MORTICIAN: Here -- he says he's not dead!
|
|
|
144 CUSTOMER: Yes, he is.
|
|
|
145 DEAD PERSON: I'm not!
|
|
|
146 MORTICIAN: He isn't.
|
|
|
147 CUSTOMER: Well, he will be soon, he's very ill.
|
|
|
148 DEAD PERSON: I'm getting better!
|
|
|
149 CUSTOMER: No, you're not -- you'll be stone dead in a moment.
|
|
|
150 MORTICIAN: Oh, I can't take him like that -- it's against regulations.
|
|
|
151 DEAD PERSON: I don't want to go in the cart!
|
|
|
152 CUSTOMER: Oh, don't be such a baby.
|
|
|
153 MORTICIAN: I can't take him...
|
|
|
154 DEAD PERSON: I feel fine!
|
|
|
155 CUSTOMER: Oh, do us a favor...
|
|
|
156 MORTICIAN: I can't.
|
|
|
157 CUSTOMER: Well, can you hang around a couple of minutes? He won't
|
|
|
158 be long.
|
|
|
159 MORTICIAN: Naaah, I got to go on to Robinson's -- they've lost nine
|
|
|
160 today.
|
|
|
161 CUSTOMER: Well, when is your next round?
|
|
|
162 MORTICIAN: Thursday.
|
|
|
163 DEAD PERSON: I think I'll go for a walk.
|
|
|
164 CUSTOMER: You're not fooling anyone y'know. Look, isn't there
|
|
|
165 something you can do?
|
|
|
166 DEAD PERSON: I feel happy... I feel happy.
|
|
|
167 [whop]
|
|
|
168 CUSTOMER: Ah, thanks very much.
|
|
|
169 MORTICIAN: Not at all. See you on Thursday.
|
|
|
170 CUSTOMER: Right.
|
|
|
171 [clop clop]
|
|
|
172 MORTICIAN: Who's that then?
|
|
|
173 CUSTOMER: I don't know.
|
|
|
174 MORTICIAN: Must be a king.
|
|
|
175 CUSTOMER: Why?
|
|
|
176 MORTICIAN: He hasn't got shit all over him.
|
|
|
177
|
|
|
178 Scene 3
|
|
|
179
|
|
|
180 [clop clop]
|
|
|
181 ARTHUR: Old woman!
|
|
|
182 DENNIS: Man!
|
|
|
183 ARTHUR: Man, sorry. What knight live in that castle over there?
|
|
|
184 DENNIS: I'm thirty seven.
|
|
|
185 ARTHUR: What?
|
|
|
186 DENNIS: I'm thirty seven -- I'm not old!
|
|
|
187 ARTHUR: Well, I can't just call you 'Man'.
|
|
|
188 DENNIS: Well, you could say 'Dennis'.
|
|
|
189 ARTHUR: Well, I didn't know you were called Dennis.
|
|
|
190 DENNIS: Well, you didn't bother to find out, did you?
|
|
|
191 ARTHUR: I did say sorry about the old woman, but from the behind
|
|
|
192 you looked--
|
|
|
193 DENNIS: What I object to is you automatically treat me like an inferior!
|
|
|
194 ARTHUR: Well, I AM king...
|
|
|
195 DENNIS: Oh king, eh, very nice. An' how'd you get that, eh? By
|
|
|
196 exploitin' the workers -- by 'angin' on to outdated imperialist dogma
|
|
|
197 which perpetuates the economic an' social differences in our society!
|
|
|
198 If there's ever going to be any progress--
|
|
|
199 WOMAN: Dennis, there's some lovely filth down here. Oh -- how'd you do?
|
|
|
200 ARTHUR: How do you do, good lady. I am Arthur, King of the Britons.
|
|
|
201 Who's castle is that?
|
|
|
202 WOMAN: King of the who?
|
|
|
203 ARTHUR: The Britons.
|
|
|
204 WOMAN: Who are the Britons?
|
|
|
205 ARTHUR: Well, we all are. we're all Britons and I am your king.
|
|
|
206 WOMAN: I didn't know we had a king. I thought we were an autonomous
|
|
|
207 collective.
|
|
|
208 DENNIS: You're fooling yourself. We're living in a dictatorship.
|
|
|
209 A self-perpetuating autocracy in which the working classes--
|
|
|
210 WOMAN: Oh there you go, bringing class into it again.
|
|
|
211 DENNIS: That's what it's all about if only people would--
|
|
|
212 ARTHUR: Please, please good people. I am in haste. Who lives
|
|
|
213 in that castle?
|
|
|
214 WOMAN: No one live there.
|
|
|
215 ARTHUR: Then who is your lord?
|
|
|
216 WOMAN: We don't have a lord.
|
|
|
217 ARTHUR: What?
|
|
|
218 DENNIS: I told you. We're an anarchosyndicalist commune. We take
|
|
|
219 it in turns to act as a sort of executive officer for the week.
|
|
|
220 ARTHUR: Yes.
|
|
|
221 DENNIS: But all the decision of that officer have to be ratified
|
|
|
222 at a special biweekly meeting.
|
|
|
223 ARTHUR: Yes, I see.
|
|
|
224 DENNIS: By a simple majority in the case of purely internal affairs,--
|
|
|
225 ARTHUR: Be quiet!
|
|
|
226 DENNIS: --but by a two-thirds majority in the case of more--
|
|
|
227 ARTHUR: Be quiet! I order you to be quiet!
|
|
|
228 WOMAN: Order, eh -- who does he think he is?
|
|
|
229 ARTHUR: I am your king!
|
|
|
230 WOMAN: Well, I didn't vote for you.
|
|
|
231 ARTHUR: You don't vote for kings.
|
|
|
232 WOMAN: Well, 'ow did you become king then?
|
|
|
233 ARTHUR: The Lady of the Lake,
|
|
|
234 [angels sing]
|
|
|
235 her arm clad in the purest shimmering samite, held aloft Excalibur
|
|
|
236 from the bosom of the water signifying by Divine Providence that I,
|
|
|
237 Arthur was to carry Excalibur.
|
|
|
238 [singing stops]
|
|
|
239 That is why I am your king!
|
|
|
240 DENNIS: Listen -- strange women lying in ponds distributing swords
|
|
|
241 is no basis for a system of government. Supreme executive power derives
|
|
|
242 from a mandate from the masses, not from some farcical aquatic ceremony.
|
|
|
243 ARTHUR: Be quiet!
|
|
|
244 DENNIS: Well you can't expect to wield supreme executive power
|
|
|
245 just 'cause some watery tart threw a sword at you!
|
|
|
246 ARTHUR: Shut up!
|
|
|
247 DENNIS: I mean, if I went around sayin' I was an empereror just
|
|
|
248 because some moistened bint had lobbed a scimitar at me they'd put me away!
|
|
|
249 ARTHUR: Shut up! Will you shut up!
|
|
|
250 DENNIS: Ah, now we see the violence inherent in the system.
|
|
|
251 ARTHUR: Shut up!
|
|
|
252 DENNIS: Oh! Come and see the violence inherent in the system!
|
|
|
253 HELP! HELP! I'm being repressed!
|
|
|
254 ARTHUR: Bloody peasant!
|
|
|
255 DENNIS: Oh, what a give away. Did you here that, did you here that,
|
|
|
256 eh? That's what I'm on about -- did you see him repressing me, you saw
|
|
|
257 it didn't you?
|
|
|
258
|
|
|
259 Scene 4
|
|
|
260
|
|
|
261 [arg] [ugh] [hah]
|
|
|
262
|
|
|
263 ARTHUR: You fight with the strength of many men, Sir knight.
|
|
|
264 I am Arthur, King of the Britons.
|
|
|
265
|
|
|
266 I seek the finest and the bravest knights in the land to join me
|
|
|
267 in my courted camelot.
|
|
|
268
|
|
|
269 You have proved yourself worthy will you join me?
|
|
|
270
|
|
|
271 You make me sad. So be it. Come, Patsy.
|
|
|
272 BLACK KNIGHT: None shall pass.
|
|
|
273 ARTHUR: What?
|
|
|
274 BLACK KNIGHT: None shall pass.
|
|
|
275 ARTHUR: I have no quarrel with you, good Sir knight, but I must
|
|
|
276 cross this bridge.
|
|
|
277 BLACK KNIGHT: Then you shall die.
|
|
|
278 ARTHUR: I command you as King of the Britons to stand aside!
|
|
|
279 BLACK KNIGHT: I move for no man.
|
|
|
280 ARTHUR: So be it!
|
|
|
281 [hah]
|
|
|
282 [parry thrust]
|
|
|
283 [ARTHUR chops the BLACK KNIGHT's left arm off]
|
|
|
284 ARTHUR: Now stand aside, worthy adversary.
|
|
|
285 BLACK KNIGHT: 'Tis but a scratch.
|
|
|
286 ARTHUR: A scratch? Your arm's off!
|
|
|
287 BLACK KNIGHT: No, it isn't.
|
|
|
288 ARTHUR: Well, what's that then?
|
|
|
289 BLACK KNIGHT: I've had worse.
|
|
|
290 ARTHUR: You liar!
|
|
|
291 BLACK KNIGHT: Come on you pansy!
|
|
|
292 [hah]
|
|
|
293 [parry thrust]
|
|
|
294 [ARTHUR chops the BLACK KNIGHT's right arm off]
|
|
|
295 ARTHUR: Victory is mine!
|
|
|
296 [kneeling]
|
|
|
297 We thank thee Lord, that in thy merc-
|
|
|
298 [hah]
|
|
|
299 BLACK KNIGHT: Come on then.
|
|
|
300 ARTHUR: What?
|
|
|
301 BLACK KNIGHT: Have at you!
|
|
|
302 ARTHUR: You are indeed brave, Sir knight, but the fight is mine.
|
|
|
303 BLACK KNIGHT: Oh, had enough, eh?
|
|
|
304 ARTHUR: Look, you stupid bastard, you've got no arms left.
|
|
|
305 BLACK KNIGHT: Yes I have.
|
|
|
306 ARTHUR: Look!
|
|
|
307 BLACK KNIGHT: Just a flesh wound.
|
|
|
308 [bang]
|
|
|
309 ARTHUR: Look, stop that.
|
|
|
310 BLACK KNIGHT: Chicken! Chicken!
|
|
|
311 ARTHUR: Look, I'll have your leg. Right!
|
|
|
312 [whop]
|
|
|
313 BLACK KNIGHT: Right, I'll do you for that!
|
|
|
314 ARTHUR: You'll what?
|
|
|
315 BLACK KNIGHT: Come 'ere!
|
|
|
316 ARTHUR: What are you going to do, bleed on me?
|
|
|
317 BLACK KNIGHT: I'm invincible!
|
|
|
318 ARTHUR: You're a loony.
|
|
|
319 BLACK KNIGHT: The Black Knight always triumphs!
|
|
|
320 Have at you! Come on then.
|
|
|
321 [whop]
|
|
|
322 [ARTHUR chops the BLACK KNIGHT's other leg off]
|
|
|
323 BLACK KNIGHT: All right; we'll call it a draw.
|
|
|
324 ARTHUR: Come, Patsy.
|
|
|
325 BLACK KNIGHT: Oh, oh, I see, running away then. You yellow
|
|
|
326 bastards! Come back here and take what's coming to you. I'll bite
|
|
|
327 your legs off!
|
|
|
328
|
|
|
329 Scene 5
|
|
|
330
|
|
|
331 CROWD: A witch! A witch! A witch! We've got a witch! A witch!
|
|
|
332 VILLAGER #1: We have found a witch, might we burn her?
|
|
|
333 CROWD: Burn her! Burn!
|
|
|
334 BEDEMIR: How do you know she is a witch?
|
|
|
335 VILLAGER #2: She looks like one.
|
|
|
336 BEDEMIR: Bring her forward.
|
|
|
337 WITCH: I'm not a witch. I'm not a witch.
|
|
|
338 BEDEMIR: But you are dressed as one.
|
|
|
339 WITCH: They dressed me up like this.
|
|
|
340 CROWD: No, we didn't -- no.
|
|
|
341 WITCH: And this isn't my nose, it's a false one.
|
|
|
342 BEDEMIR: Well?
|
|
|
343 VILLAGER #1: Well, we did do the nose.
|
|
|
344 BEDEMIR: The nose?
|
|
|
345 VILLAGER #1: And the hat -- but she is a witch!
|
|
|
346 CROWD: Burn her! Witch! Witch! Burn her!
|
|
|
347 BEDEMIR: Did you dress her up like this?
|
|
|
348 CROWD: No, no... no ... yes. Yes, yes, a bit, a bit.
|
|
|
349 VILLAGER #1: She has got a wart.
|
|
|
350 BEDEMIR: What makes you think she is a witch?
|
|
|
351 VILLAGER #3: Well, she turned me into a newt.
|
|
|
352 BEDEMIR: A newt?
|
|
|
353 VILLAGER #3: I got better.
|
|
|
354 VILLAGER #2: Burn her anyway!
|
|
|
355 CROWD: Burn! Burn her!
|
|
|
356 BEDEMIR: Quiet, quiet. Quiet! There are ways of telling whether
|
|
|
357 she is a witch.
|
|
|
358 CROWD: Are there? What are they?
|
|
|
359 BEDEMIR: Tell me, what do you do with witches?
|
|
|
360 VILLAGER #2: Burn!
|
|
|
361 CROWD: Burn, burn them up!
|
|
|
362 BEDEMIR: And what do you burn apart from witches?
|
|
|
363 VILLAGER #1: More witches!
|
|
|
364 VILLAGER #2: Wood!
|
|
|
365 BEDEMIR: So, why do witches burn?
|
|
|
366
|
|
|
367 VILLAGER #3: B--... 'cause they're made of wood...?
|
|
|
368 BEDEMIR: Good!
|
|
|
369 CROWD: Oh yeah, yeah...
|
|
|
370 BEDEMIR: So, how do we tell whether she is made of wood?
|
|
|
371 VILLAGER #1: Build a bridge out of her.
|
|
|
372 BEDEMIR: Aah, but can you not also build bridges out of stone?
|
|
|
373 VILLAGER #2: Oh, yeah.
|
|
|
374 BEDEMIR: Does wood sink in water?
|
|
|
375 VILLAGER #1: No, no.
|
|
|
376 VILLAGER #2: It floats! It floats!
|
|
|
377 VILLAGER #1: Throw her into the pond!
|
|
|
378 CROWD: The pond!
|
|
|
379 BEDEMIR: What also floats in water?
|
|
|
380 VILLAGER #1: Bread!
|
|
|
381 VILLAGER #2: Apples!
|
|
|
382 VILLAGER #3: Very small rocks!
|
|
|
383 VILLAGER #1: Cider!
|
|
|
384 VILLAGER #2: Great gravy!
|
|
|
385 VILLAGER #1: Cherries!
|
|
|
386 VILLAGER #2: Mud!
|
|
|
387 VILLAGER #3: Churches -- churches!
|
|
|
388 VILLAGER #2: Lead -- lead!
|
|
|
389 ARTHUR: A duck.
|
|
|
390 CROWD: Oooh.
|
|
|
391 BEDEMIR: Exactly! So, logically...,
|
|
|
392 VILLAGER #1: If... she.. weighs the same as a duck, she's made of wood.
|
|
|
393 BEDEMIR: And therefore--?
|
|
|
394 VILLAGER #1: A witch!
|
|
|
395 CROWD: A witch!
|
|
|
396 BEDEMIR: We shall use my larger scales!
|
|
|
397 [yelling]
|
|
|
398 BEDEMIR: Right, remove the supports!
|
|
|
399 [whop]
|
|
|
400 [creak]
|
|
|
401 CROWD: A witch! A witch!
|
|
|
402 WITCH: This is a fair cop.
|
|
|
403 CROWD: Burn her! Burn! [yelling]
|
|
|
404 BEDEMIR: Who are you who are so wise in the ways of science?
|
|
|
405 ARTHUR: I am Arthur, King of the Britons.
|
|
|
406 BEDEMIR: My liege!
|
|
|
407 ARTHUR: Good Sir knight, will you come with me to Camelot,
|
|
|
408 and join us at the Round Table?
|
|
|
409 BEDEMIR: My liege! I would be honored.
|
|
|
410 ARTHUR: What is your name?
|
|
|
411 BEDEMIR: Bedemir, my leige.
|
|
|
412 ARTHUR: Then I dub you Sir Bedemir, Knight of the Round Table.
|
|
|
413
|
|
|
414 [Narrative Interlude]
|
|
|
415
|
|
|
416 NARRATOR: The wise Sir Bedemir was the first to join King Arthur's
|
|
|
417 knights, but other illustrious names were soon to follow:
|
|
|
418 Sir Lancelot the Brave; Sir Galahad the Pure; and Sir Robin the
|
|
|
419 Not-quite-so-brave-as-Sir-Lancelot who had nearly fought the Dragon
|
|
|
420 of Agnor, who had nearly stood up to the vicious Chicken of Bristol
|
|
|
421 and who had personally wet himself at the Battle of Baden Hill; and
|
|
|
422 the aptly named Sir Not-appearing-in-this-film. Together they formed
|
|
|
423 a band whose names and deeds were to be retold throughout the centuries,
|
|
|
424 the Knights of the Round Table.
|
|
|
425
|
|
|
426 Scene 6
|
|
|
427
|
|
|
428 BEDEMIR: And that, my liege, is how we know the Earth to be banana-shaped.
|
|
|
429 ARTHUR: This new learning amazes me, Sir Bedemir. Explain again how
|
|
|
430 sheeps' bladders may be employed to prevent earthquakes.
|
|
|
431 BEDEMIR: Oh, certainly, sir.
|
|
|
432 LANCELOT: Look, my liege!
|
|
|
433 ARTHUR: Camelot!
|
|
|
434 GALAHAD: Camelot!
|
|
|
435 LANCELOT: Camelot!
|
|
|
436 PATSY: It's only a model.
|
|
|
437 ARTHUR: Shhh! Knights, I bid you welcome to your new home. Let us
|
|
|
438 ride... to... Camelot.
|
|
|
439
|
|
|
440 [singing]
|
|
|
441 We're knights of the round table
|
|
|
442 We dance when e'er we're able
|
|
|
443 We do routines and parlour scenes
|
|
|
444 With footwork impecc-Able.
|
|
|
445
|
|
|
446 We dine well here in Camelot
|
|
|
447 We eat ham and jam and spam a lot
|
|
|
448
|
|
|
449 [dancing]
|
|
|
450
|
|
|
451 We're knights of the Round Table
|
|
|
452 Our shows are for-mid-able
|
|
|
453 Oh many times we're given rhymes
|
|
|
454 That are quite unsing-able
|
|
|
455 We not so fat in Camelot
|
|
|
456 We sing from the diaphragm a lot
|
|
|
457
|
|
|
458 [tap-dancing]
|
|
|
459
|
|
|
460 Oh we're tough and able
|
|
|
461 Quite indefatigable
|
|
|
462 Between our quests we [something]
|
|
|
463 And impersonate Clark Gable
|
|
|
464 It's a bit too loud in Camelot
|
|
|
465 I have to push the pram a lot.
|
|
|
466
|
|
|
467 ARTHUR: Well, on second thought, let's not go to Camelot -- it is
|
|
|
468 a silly place.
|
|
|
469 Right.
|
|
|
470
|
|
|
471 Scene 7
|
|
|
472
|
|
|
473 GOD: Arthur! Arthur, King of the Britons! Oh, don't grovel! If
|
|
|
474 there's one thing I can't stand, it's people groveling.
|
|
|
475 ARTHUR: Sorry--
|
|
|
476 GOD: And don't apologize. Every time I try to talk to someone it's
|
|
|
477 "sorry this" and "forgive me that" and "I'm not worthy". What are you
|
|
|
478 doing now!?
|
|
|
479 ARTHUR: I'm averting my eyes, oh Lord.
|
|
|
480 GOD: Well, don't. It's like those miserable Psalms -- they're so
|
|
|
481 depressing. Now knock it off!
|
|
|
482 ARTHUR: Yes, Lord.
|
|
|
483 GOD: Right! Arthur, King of the Britons -- your Knights of the
|
|
|
484 Round
|
|
|
485 Table shall have a task to make them an example in these dark times.
|
|
|
486 ARTHUR: Good idea, oh Lord!
|
|
|
487 GOD: 'Course it's a good idea! Behold! Arthur, this is the Holy
|
|
|
488 Grail. Look well, Arthur, for it is your sacred task to seek this Grail.
|
|
|
489 That is your purpose, Arthur -- the Quest for the Holy Grail.
|
|
|
490 ARTHUR: A blessing!
|
|
|
491 LANCELOT: A blessing from the Lord!
|
|
|
492 GALAHAD: God be praised!
|
|
|
493
|
|
|
494 Scene 8
|
|
|
495
|
|
|
496 [clop clop]
|
|
|
497 ARTHUR: Halt! Hallo! Hallo!
|
|
|
498 GUARD: 'Allo! Who is zis?
|
|
|
499 ARTHUR: It is King Arthur, and these are the Knights of the Round
|
|
|
500 Table. Who's castle is this?
|
|
|
501 GUARD: This is the castle of mumble mumble
|
|
|
502 ARTHUR: Go and tell your master that we have been charged by God
|
|
|
503 with a sacred quest. If he will give us food and shelter for the night
|
|
|
504 he can join us in our quest for the Holy Grail.
|
|
|
505 GUARD: Well, I'll ask him, but I don't think he'll be very keen...
|
|
|
506 Uh, he's already got one, you see?
|
|
|
507 ARTHUR: What?
|
|
|
508 GALAHAD: He says they've already got one!
|
|
|
509 ARTHUR: Are you sure he's got one?
|
|
|
510 GUARD: Oh, yes, it's very nice-uh (I told him we already got one)
|
|
|
511 ARTHUR: Well, um, can we come up and have a look?
|
|
|
512 GUARD: Of course not! You are English types-uh!
|
|
|
513 ARTHUR: Well, what are you then?
|
|
|
514 GUARD: I'm French! Why do think I have this outrageous accent, you
|
|
|
515 silly king!
|
|
|
516 GALAHAD: What are you doing in England?
|
|
|
517 GUARD: Mind your own business!
|
|
|
518 ARTHUR: If you will not show us the Grail, we shall take your castle
|
|
|
519 by force!
|
|
|
520 GUARD: You don't frighten us, English pig-dogs! Go and boil your
|
|
|
521 bottoms, sons of a silly person. I blow my nose at you, so-called
|
|
|
522 Arthur-king, you and all your silly English kaniggets. Thppppt!
|
|
|
523 GALAHAD: What a strange person.
|
|
|
524 ARTHUR: Now look here, my good man!
|
|
|
525 GUARD: I don't want to talk to you no more, you empty headed animal
|
|
|
526 food trough whopper! I fart in your general direction! You mother was
|
|
|
527 a hamster and your father smelt of elderberries!
|
|
|
528 ???: Is there someone else up there we could talk to?
|
|
|
529 GUARD: No, now go away or I shall taunt you a second time-uh!
|
|
|
530 ARTHUR: Now, this is your last chance. I've been more than reasonable.
|
|
|
531 GUARD: (Fetch-a da mush.)
|
|
|
532 wha?
|
|
|
533 GUARD: (Fetch-a da mush!)
|
|
|
534 [moo]
|
|
|
535 ARTHUR: If you do not agree to my commands, then I shall--
|
|
|
536 [twong]
|
|
|
537 [mooooooo]
|
|
|
538 Jesus Christ!
|
|
|
539 Right! Charge!
|
|
|
540 ALL: Charge!
|
|
|
541 [mayhem]
|
|
|
542 GUARD: Ah, this one is for your mother!
|
|
|
543 [twong]
|
|
|
544 ALL: Run away!
|
|
|
545 GUARD: Thpppt!
|
|
|
546 LANCELOT: Fiends! I'll tear them apart!
|
|
|
547 ARTHUR: No no, no.
|
|
|
548 BEDEMIR: Sir! I have a plan, sir.
|
|
|
549
|
|
|
550 [later]
|
|
|
551
|
|
|
552 [chop]
|
|
|
553 [rumble rumble squeak]
|
|
|
554 ce labon a bunny do
|
|
|
555 wha?
|
|
|
556 un codoo?
|
|
|
557 a present!
|
|
|
558 oh, un codoo.
|
|
|
559 oui oui hurry!
|
|
|
560 wha-?
|
|
|
561 let's go!
|
|
|
562 [rumble rumble squeak]
|
|
|
563
|
|
|
564 ARTHUR: What happens now?
|
|
|
565 BEDEMIR: Well, now, uh, Lancelet, Galahad, and I wait until nightfall,
|
|
|
566 and then leap out of the rabbit, taking the French by surprise -- not only
|
|
|
567 by surprise, but totally unarmed!
|
|
|
568 ARTHUR: Who leaps out?
|
|
|
569 BEDEMIR: Uh, Lancelot, Galahad, and I. Uh, leap out of the rabbit, uh
|
|
|
570 and uh....
|
|
|
571 ARTHUR: Oh....
|
|
|
572 BEDEMIR: Oh.... Um, l-look, if we built this large wooden badger--
|
|
|
573 [twong]
|
|
|
574 ALL: Run away! Run away! Run away! Run away!
|
|
|
575 [splat]
|
|
|
576 FRENCH: Oh, haw haw haw.
|
|
|
577
|
|
|
578 Scene 9
|
|
|
579
|
|
|
580 Pictures for Schools, take 8.
|
|
|
581 DIRECTOR: Action!
|
|
|
582
|
|
|
583 NARRATOR: Defeat at the castle seems to have utterly disheartened
|
|
|
584 King Arthur. The ferocity of the French taunting took him completely
|
|
|
585 by surprise, and Arthur became convinced that a new strategy was required
|
|
|
586 if the quest for the Holy Grail were to be brought to a successful
|
|
|
587 conclusion. Arthur, having consulted his closest knights, decided that
|
|
|
588 they should separate, and search for the Grail individually. Now, this
|
|
|
589 is what they did--
|
|
|
590 [tromp tromp]
|
|
|
591 [slash]
|
|
|
592 WOMAN: Greg!
|
|
|
593
|
|
|
594 Scene 10
|
|
|
595
|
|
|
596 NARRATOR: The Tale of Sir Robin....
|
|
|
597 So each of the knights went their separate ways. Sir Robin rode north,
|
|
|
598 through the dark forest of Ewing, accompanied by his favorite minstrels.
|
|
|
599
|
|
|
600 MINSTREL (singing): Bravely bold Sir Robin, rode forth from Camelot.
|
|
|
601 He was not afraid to die, o Brave Sir Robin.
|
|
|
602 He was not at all afraid to be killed in nasty ways.
|
|
|
603 Brave, brave, brave, brave Sir Robin!
|
|
|
604
|
|
|
605 He was not in the least bit scared to be mashed
|
|
|
606 into a pulp,
|
|
|
607 Or to have his eyes gouged out, and his elbows broken.
|
|
|
608 To have his kneecaps split, and his body burned away,
|
|
|
609 And his limbs all hacked and mangled, brave Sir Robin!
|
|
|
610
|
|
|
611 His head smashed in and his heart cut out,
|
|
|
612 And his liver removed and his bowels unplugged,
|
|
|
613 And his nostrils ripped and his bottom burned off,
|
|
|
614 And his penis--
|
|
|
615 ROBIN: That's -- that's, uh, that's enough music for now, lads.
|
|
|
616 Looks like there's dirty work afoot.
|
|
|
617 DENNIS: Anarchosyndicalism is a way of preserving freedom.
|
|
|
618 WOMAN: Oh, Dennis, forget about freedom. Now I've dropped my mud.
|
|
|
619 ALL HEADS: Halt! Who art thou?
|
|
|
620 MINSTREL (singing): He is brave Sir Robin, brave Sir Robin, who--
|
|
|
621 ROBIN: Shut up! Um, n-n-nobody really, I'm j-just um, just passing
|
|
|
622 through.
|
|
|
623 ALL HEADS: What do you want?
|
|
|
624 MINSTREL (singing): To fight, and--
|
|
|
625 ROBIN: Shut up! Um, oo, n-nothing, nothing really -- I, uh, j-j-ust
|
|
|
626 to um, just to p-pass through good Sir knight.
|
|
|
627 ALL HEADS: I'm afraid not!
|
|
|
628 ROBIN: Ah. W-well, actually I am a Knight of the Round Table.
|
|
|
629 ALL HEADS: You're a Knight of the Round Table?
|
|
|
630 ROBIN: I am.
|
|
|
631 TJ:In that case I shall have to kill you.
|
|
|
632 GC:Shall I?
|
|
|
633 MP:Oh, I don't think so.
|
|
|
634 GC:Well, what do I think?
|
|
|
635 TJ:I think kill him.
|
|
|
636 MP:Well let's be nice to him.
|
|
|
637 GC:Oh shut up.
|
|
|
638 TJ:Perhaps-
|
|
|
639 GC:And you.
|
|
|
640 TJ:Oh quick get the sword out I want to cut his head off!
|
|
|
641 MP:Oh, cut your own head off!
|
|
|
642 GC:Yes, do us all a favor!
|
|
|
643 TJ:What?
|
|
|
644 MP:Yapping on all the time.
|
|
|
645 GC:You're lucky, you're not next to him.
|
|
|
646 TJ:What do you mean?
|
|
|
647 GC:You snore.
|
|
|
648 TJ:Oh I don't -- anyway, you've got bad breath.
|
|
|
649 GC:Well its only because you don't brush my teeth.
|
|
|
650 MP:Oh stop bitching and let's go have tea.
|
|
|
651 TJ:All right all right all right we'll kill him first and then have tea
|
|
|
652 and biscuits.
|
|
|
653 GC:Yes.
|
|
|
654 MP:Oh, but not biscuits.
|
|
|
655 TJ:All right all right not biscuits, but lets kill him anyway.
|
|
|
656 ALL HEADS: Right!
|
|
|
657 TJ:He buggered off.
|
|
|
658 MP:So he has, he scarpered.
|
|
|
659
|
|
|
660 MINSTREL (singing): Brave Sir Robin ran away
|
|
|
661 ROBIN: No!
|
|
|
662 MINSTREL (singing): Bravely ran away away
|
|
|
663 ROBIN: I didn't!
|
|
|
664 MINSTREL (singing): When danger reared its ugly head,
|
|
|
665 He bravely turned his tail and fled
|
|
|
666 ROBIN: No!
|
|
|
667 MINSTREL (singing): Yes Brave Sir Robin turned about
|
|
|
668 ROBIN: I didn't!
|
|
|
669 MINSTREL (singing): And gallantly he chickened out
|
|
|
670 Bravely taking to his feet
|
|
|
671 ROBIN: I never did!
|
|
|
672 MINSTREL (singing): He beat a very brave retreat
|
|
|
673 ROBIN: Oh, lie!
|
|
|
674 MINSTREL (singing): Bravest of the brave Sir Robin
|
|
|
675 ROBIN: I never!
|
|
|
676
|
|
|
677 Scene 11
|
|
|
678 NARRATOR: The Tale of Sir Galahad
|
|
|
679
|
|
|
680 [boom crash]
|
|
|
681 [angels singing]
|
|
|
682
|
|
|
683 [pound pound pound]
|
|
|
684 GALAHAD: Open the door!
|
|
|
685 Open the door!
|
|
|
686 [pound pound pound]
|
|
|
687 In the name of King Arthur, open the door!
|
|
|
688 [squeak thump]
|
|
|
689 [squeak boom]
|
|
|
690 ALL: Hello!
|
|
|
691 ZOOT: Welcome gentle Sir knight, welcome to the Castle Anthrax.
|
|
|
692 GALAHAD: The Castle Anthrax?
|
|
|
693 ZOOT: Yes... oh, it's not a very good name is it? Oh! but we are
|
|
|
694 nice and we shall attend to your every, every need!
|
|
|
695 GALAHAD: You are the keepers of the Holy Grail?
|
|
|
696 ZOOT: The what?
|
|
|
697 GALAHAD: The Grail -- it is here?
|
|
|
698 ZOOT: Oh, but you are tired, and you must rest awhile. Midget!
|
|
|
699 Crepper!
|
|
|
700 MIDGET and CREPPER: Yes, oh Zoot!
|
|
|
701 ZOOT: Prepare a bed for our guest.
|
|
|
702 MIDGET and CREPPER: Oh thank you thank you thank you--
|
|
|
703 ZOOT: Away away vilatesses[?]! The beds here are warm and soft -- and
|
|
|
704 very, very big.
|
|
|
705 GALAHAD: Well, look, I-I-uh--
|
|
|
706 ZOOT: What is your name, handsome knight?
|
|
|
707 GALAHAD: Sir Galahad... the Chaste.
|
|
|
708 ZOOT: Mine is Zoot... just Zoot. Oh, but come!
|
|
|
709 GALAHAD: Look, please! In God's name, show me the Grail!
|
|
|
710 ZOOT: Oh, you have suffered much! You are delirious!
|
|
|
711 GALAHAD: L-look, I have seen it! It is here, in the--
|
|
|
712 ZOOT: Sir Galahad! You would not be so ungallant as to refuse our
|
|
|
713 hospitality.
|
|
|
714 GALAHAD: Well, I-I-uh--
|
|
|
715 ZOOT: Oh, I am afraid our life must seem very dull and quiet compared
|
|
|
716 to yours. We are but eight score young blondes and brunettes, all between
|
|
|
717 sixteen and nineteen and a half, cut off in this castle with no one to
|
|
|
718 protect us! Oh, it is a lonely life -- bathing, dressing, undressing,
|
|
|
719 making exciting underwear.... We are just not used to handsome knights.
|
|
|
720 Nay, nay, come, come, you may lie here. Oh, but you are wounded!
|
|
|
721 GALAHAD: No, no -- i-it's nothing!
|
|
|
722 ZOOT: Oh, but you must see the doctors immediately! No, no, please,
|
|
|
723 lie down. [clap clap]
|
|
|
724 PIGLET: Ah. What seems to be the trouble?
|
|
|
725 GALAHAD: They're doctors?!
|
|
|
726 ZOOT: Uh, they've had a basic medical training, yes.
|
|
|
727 GALAHAD: B-but--
|
|
|
728 ZOOT: Oh, come come, you must try to rest! Doctor Piglet, Doctor
|
|
|
729 Winston, practice your art.
|
|
|
730 PIGLET: Try to relax.
|
|
|
731 GALAHAD: Are you sure that's necessary?
|
|
|
732 PIGLET: We must examine you.
|
|
|
733 GALAHAD: There's nothing wrong with that!
|
|
|
734 PIGLET: Please -- we are doctors.
|
|
|
735 GALAHAD: Get off the bed! I am sworn to chastity!
|
|
|
736 PIGLET: Back to your bed!
|
|
|
737 GALAHAD: Torment me no longer! I have seen the Grail!
|
|
|
738 PIGLET: There's no grail here.
|
|
|
739 GALAHAD: I have seen it, I have seen it. I have seen--
|
|
|
740 GIRLS: Hello.
|
|
|
741 GALAHAD: Oh--
|
|
|
742 VARIOUS GIRLS: Hello.
|
|
|
743 Hello.
|
|
|
744 Hello.
|
|
|
745 Hello.
|
|
|
746 Hello.
|
|
|
747 Hello.
|
|
|
748 Hello.
|
|
|
749 Hello.
|
|
|
750 Hello.
|
|
|
751 Hello.
|
|
|
752 Hello.
|
|
|
753 Hello.
|
|
|
754 GALAHAD: Zoot!
|
|
|
755 DINGO: No, I am Zoot's identical twin sister, Dingo.
|
|
|
756 GALAHAD: Oh, well, excuse me, I--
|
|
|
757 DINGO: Where are you going?
|
|
|
758 GALAHAD: I seek the Grail! I have seen it, here in this castle!
|
|
|
759 DINGO: No! Oh, no! Bad, bad Zoot!
|
|
|
760 GALAHAD: What is it?
|
|
|
761 DINGO: Oh, wicked, bad, naughty Zoot! She has been setting alight
|
|
|
762 to our beacon, which, I just remembered, is grail-shaped. It's not the
|
|
|
763 first time we've had this problem.
|
|
|
764 GALAHAD: It's not the real Grail?
|
|
|
765 DINGO: Oh, wicked, bad, naughty, evil Zoot! Oh, she is a naughty
|
|
|
766 person, and she must pay the penalty -- and here in Castle Anthrax, we
|
|
|
767 have but one punishment for setting alight the grail-shaped beacon. You
|
|
|
768 must tie her down on a bed and spank her!
|
|
|
769 GIRLS: A spanking! A spanking!
|
|
|
770 DINGO: You must spank her well. And after you have spanked her, you
|
|
|
771 may deal with her as you like. And then, spank me.
|
|
|
772 VARIOUS GIRLS: And spank me.
|
|
|
773 And me.
|
|
|
774 And me.
|
|
|
775 DINGO: Yes, yes, you must give us all a good spanking!
|
|
|
776 GIRLS: A spanking! A spanking!
|
|
|
777 DINGO: And after the spanking, the oral sex.
|
|
|
778 GIRLS: Oral sex! Oral sex!
|
|
|
779 GALAHAD: Well, I could stay a BIT longer.
|
|
|
780 LANCELOT: Sir Galahad!
|
|
|
781 GALAHAD: Oh, hello.
|
|
|
782 LANCELOT: Quick!
|
|
|
783 GALAHAD: What?
|
|
|
784 LANCELOT: Quick!
|
|
|
785 GALAHAD: Why?
|
|
|
786 LANCELOT: You're in great peril!
|
|
|
787 GALAHAD:
|
|
|
788 ZOOT:
|
|
|
789 LANCELOT: Silence, foul temptress!
|
|
|
790 GALAHAD: Now look, it's not important.
|
|
|
791 LANCELOT: Quick! Come on and we'll cover your escape!
|
|
|
792 GALAHAD: Look, I'm fine!
|
|
|
793 LANCELOT: Come on!
|
|
|
794 GALAHAD: Now look, I can tackle this lot single-handed!
|
|
|
795 DINGO: Yes! Let him tackle us single-handed!
|
|
|
796 GIRLS: Yes! Tackle us single-handed!
|
|
|
797 LANCELOT: No, Sir Galahad, come on!
|
|
|
798 GALAHAD: No, really, honestly, I can go back and handle this lot easily!
|
|
|
799 DINGO: Oh, yes, he can handle us easily.
|
|
|
800 GIRLS: Yes, yes!
|
|
|
801 GALAHAD: Wait! I can defeat them! There's only a hundred and fifty
|
|
|
802 of them!
|
|
|
803 DINGO: Yes, yes, he'll beat us easily, we haven't a chance.
|
|
|
804 GIRLS: Yes, yes.
|
|
|
805 [boom]
|
|
|
806 DINGO: Oh, shit.
|
|
|
807 [outside]
|
|
|
808 LANCELOT: We were in the nick of time, you were in great peril.
|
|
|
809 GALAHAD: I don't think I was.
|
|
|
810 LANCELOT: Yes you were, you were in terrible peril.
|
|
|
811 GALAHAD: Look, let me go back in there and face the peril.
|
|
|
812 LANCELOT: No, it's too perilous.
|
|
|
813 GALAHAD: Look, my particular knight sob as much peril as I can.
|
|
|
814 LANCELOT: No, we've got to find the Holy Grail. Come on!
|
|
|
815 GALAHAD: Well, let me have just a little bit of peril?
|
|
|
816 LANCELOT: No, it's unhealthy.
|
|
|
817 GALAHAD: Bet you're gay!
|
|
|
818 LANCELOT: No, I'm not.
|
|
|
819
|
|
|
820 Narrative Interlude
|
|
|
821
|
|
|
822 NARRATOR: Sir Lancelot had saved Sir Galahad from almost certain
|
|
|
823 temptation, but they were still no nearer the Grail. Meanwhile, King
|
|
|
824 Arthur and Sir Bedemir, not more than a swallow's flight away, had
|
|
|
825 discovered something. Oh, that's an unladen swallow's flight, obviously.
|
|
|
826 I mean, they were more than two laden swallow's flights away -- four,
|
|
|
827 really, if they hadn't a cord of line between them. I mean, if the birds
|
|
|
828 were walking and dragging--
|
|
|
829 CROWD: Get on with it!
|
|
|
830 NARRATOR: Oh, anyway, on to scene twenty-four, which is a smashing
|
|
|
831 scene with some lovely acting, in which Arthur discovers a vital clue,
|
|
|
832 in which there aren't any swallows, although I think you can hear a
|
|
|
833 starling -oolp!
|
|
|
834
|
|
|
835 Scene 12
|
|
|
836
|
|
|
837 OLD MAN: Ah, hee he he ha!
|
|
|
838 ARTHUR: And this enchanter of whom you speak, he has seen the grail?
|
|
|
839 OLD MAN: Ha ha he he he he!
|
|
|
840 ARTHUR: Where does he live? Old man, where does he live?
|
|
|
841 OLD MAN: He knows of a cave, a cave which no man has entered.
|
|
|
842 ARTHUR: And the Grail... The Grail is there?
|
|
|
843 OLD MAN: Very much danger, for beyond the cave lies the Gorge
|
|
|
844 of Eternal Peril, which no man has ever crossed.
|
|
|
845 ARTHUR: But the Grail! Where is the Grail!?
|
|
|
846 OLD MAN: Seek you the Bridge of Death.
|
|
|
847 ARTHUR: The Bridge of Death, which leads to the Grail?
|
|
|
848 OLD MAN: Hee hee ha ha!
|
|
|
849
|
|
|
850 Scene 13
|
|
|
851
|
|
|
852 HEAD KNIGHT: Nee!
|
|
|
853 Nee!
|
|
|
854 Nee!
|
|
|
855 Nee!
|
|
|
856 ARTHUR: Who are you?
|
|
|
857 HEAD KNIGHT: We are the Knights Who Say... Nee!
|
|
|
858 ARTHUR: No! Not the Knights Who Say Nee!
|
|
|
859 HEAD KNIGHT: The same!
|
|
|
860 BEDEMIR: Who are they?
|
|
|
861 HEAD KNIGHT: We are the keepers of the sacred words: Nee, Pen, and
|
|
|
862 Nee-wom!
|
|
|
863 RANDOM: Nee-wom!
|
|
|
864 ARTHUR: Those who hear them seldom live to tell the tale!
|
|
|
865 HEAD KNIGHT: The Knights Who Say Nee demand a sacrifice!
|
|
|
866 ARTHUR: Knights of Nee, we are but simple travellers who seek the
|
|
|
867 enchanter who lives beyond these woods.
|
|
|
868 HEAD KNIGHT: Nee! Nee! Nee! Nee!
|
|
|
869 ARTHUR and PARTY: Oh, ow!
|
|
|
870 HEAD KNIGHT: We shall say 'nee' again to you if you do not appease us.
|
|
|
871 ARTHUR: Well, what is it you want?
|
|
|
872 HEAD KNIGHT: We want... a shrubbery!
|
|
|
873 [chord]
|
|
|
874 ARTHUR: A what?
|
|
|
875 HEAD KNIGHT: Nee! Nee!
|
|
|
876 ARTHUR and PARTY: Oh, ow!
|
|
|
877 ARTHUR: Please, please! No more! We shall find a shrubbery.
|
|
|
878 HEAD KNIGHT: You must return here with a shrubbery or else you will
|
|
|
879 never pass through this wood alive!
|
|
|
880 ARTHUR: O Knights of Nee, you are just and fair, and we will return
|
|
|
881 with a shrubbery.
|
|
|
882 HEAD KNIGHT: One that looks nice.
|
|
|
883 ARTHUR: Of course.
|
|
|
884 HEAD KNIGHT: And not too expensive.
|
|
|
885 ARTHUR: Yes.
|
|
|
886 HEAD KNIGHTS: Now... go!
|
|
|
887
|
|
|
888 Scene 14
|
|
|
889
|
|
|
890 NARRATOR: The Tale of Sir Lancelot.
|
|
|
891
|
|
|
892 FATHER: One day, lad, all this will be yours!
|
|
|
893 HERBERT: What, the curtains?
|
|
|
894 FATHER: No, not the curtains, lad. All that you can see! Stretched
|
|
|
895 out over the hills and valleys of this land! This'll be your kingdom, lad!
|
|
|
896 HERBERT: But, Mother!
|
|
|
897 FATHER: Father, I'm Father.
|
|
|
898 HERBERT: But Father, I don't want any of that.
|
|
|
899 FATHER: Listen, lad. I've built this kingdom up from nothing. When
|
|
|
900 I started here, all there was was swamp. All the kings said I was daft
|
|
|
901 to build a castle in a swamp, but I built it all the same, just to show
|
|
|
902 'em. It sank into the swamp. So, I built a second one. That sank into the
|
|
|
903 swamp. So I built a third one. That burned down, fell over, then sank
|
|
|
904 into the swamp. But the fourth one stayed up. An' that's what your gonna
|
|
|
905 get, lad -- the strongest castle in these islands.
|
|
|
906 HERBERT: But I don't want any of that -- I'd rather--
|
|
|
907 FATHER: Rather what?!
|
|
|
908 HERBERT: I'd rather... just...
|
|
|
909 [music]
|
|
|
910 ...sing!
|
|
|
911 FATHER: Stop that, stop that! You're not going to do a song while
|
|
|
912 I'm here. Now listen lad, in twenty minutes you're getting married to
|
|
|
913 a girl whose father owns the biggest tracts of open land in Britain.
|
|
|
914 HERBERT: But I don't want land.
|
|
|
915 FATHER: Listen, Alex,--
|
|
|
916 HERBERT: Herbert.
|
|
|
917 FATHER: Herbert. We live in a bloody swamp. We need all the land we
|
|
|
918 can get.
|
|
|
919 HERBERT: But I don't like her.
|
|
|
920 FATHER: Don't like her?! What's wrong with her? She's beautiful,
|
|
|
921 she's rich, she's got huge... tracts of land.
|
|
|
922 HERBERT: I know, but I want the girl that I marry to have...
|
|
|
923 a certain... special...
|
|
|
924 [music]
|
|
|
925 ...something...
|
|
|
926 FATHER: Cut that out, cut that out. Look, you're marryin' Princess
|
|
|
927 Looky, so you'd better get used to the idea. [smack] Guards! Make sure
|
|
|
928 the Prince doesn't leave this room until I come and get 'im.
|
|
|
929 GUARD #1: Not to leave the room even if you come and get him.
|
|
|
930 GUARD #2: Hic!
|
|
|
931 FATHER: No, no. Until I come and get 'im.
|
|
|
932 GUARD #1: Until you come and get him, we're not to enter the room.
|
|
|
933 FATHER: No, no, no. You stay in the room and make sure 'e doesn't
|
|
|
934 leave.
|
|
|
935 GUARD #1: And you'll come and get him.
|
|
|
936 GUARD #2: Hic!
|
|
|
937 FATHER: Right.
|
|
|
938 GUARD #1: We don't need to do anything, apart from just stop him
|
|
|
939 entering the room.
|
|
|
940 FATHER: No, no. Leaving the room.
|
|
|
941 GUARD #1: Leaving the room, yes.
|
|
|
942 FATHER: All right?
|
|
|
943 GUARD #1: Right. Oh, if-if-if, uh, if-if-if, uh, if-if-if we...
|
|
|
944 FATHER: Yes, what is it?
|
|
|
945 GUARD #1: Oh, if-if, oh--
|
|
|
946 FATHER: Look, it's quite simple.
|
|
|
947 GUARD #1: Uh...
|
|
|
948 FATHER: You just stay here, and make sure 'e doesn't leave the room.
|
|
|
949 All right?
|
|
|
950 GUARD #2: Hic!
|
|
|
951 FATHER: Right.
|
|
|
952 GUARD #1: Oh, I remember. Uh, can he leave the room with us?
|
|
|
953 FATHER: N- No no no. You just keep him in here, and make sure--
|
|
|
954 GUARD #1: Oh, yes, we'll keep him in here, obviously. But if he had
|
|
|
955 to leave and we were--
|
|
|
956 FATHER: No, no, just keep him in here--
|
|
|
957 GUARD #1: Until you, or anyone else,--
|
|
|
958 FATHER: No, not anyone else, just me--
|
|
|
959 GUARD #1: Just you.
|
|
|
960 GUARD #2: Hic!
|
|
|
961 FATHER: Get back.
|
|
|
962 GUARD #1: Get back.
|
|
|
963 FATHER: Right?
|
|
|
964 GUARD #1: Right, we'll stay here until you get back.
|
|
|
965 FATHER: And, uh, make sure he doesn't leave.
|
|
|
966 GUARD #1: What?
|
|
|
967 FATHER: Make sure 'e doesn't leave.
|
|
|
968 GUARD #1: The Prince?
|
|
|
969 FATHER: Yes, make sure 'e doesn't leave.
|
|
|
970 GUARD #1: Oh, yes, of course. I thought you meant him. Y'know, it
|
|
|
971 seemed a bit daft, me havin' to guard him when he's a guard.
|
|
|
972 FATHER: Is that clear?
|
|
|
973 GUARD #2: Hic!
|
|
|
974 GUARD #1: Oh, quite clear, no problems.
|
|
|
975 FATHER: Right.
|
|
|
976 [starts to leave]
|
|
|
977 Where are you going?
|
|
|
978 GUARD #1: We're coming with you.
|
|
|
979 FATHER: No no, I want you to stay 'ere and make sure 'e doesn't leave.
|
|
|
980 GUARD #1: Oh, I see. Right.
|
|
|
981 HERBERT: But, Father!
|
|
|
982 FATHER: Shut your noise, you! And get that suit on! And no singing!
|
|
|
983 GUARD #2: Hic!
|
|
|
984 FATHER: Oh, go get a glass of water.
|
|
|
985
|
|
|
986 Scene 15
|
|
|
987
|
|
|
988 LANCELOT: Well taken, Concorde!
|
|
|
989 CONCORDE: Thank you, sir! Most kind.
|
|
|
990 LANCELOT: And again... Over we go! Good. Steady! And now, the big
|
|
|
991 one...Ooof! Come on, Concorde!
|
|
|
992 [thwonk]
|
|
|
993 CONCORDE: Message for you, sir.
|
|
|
994 [fwump]
|
|
|
995 LANCELOT: Concorde! Concorde, speak to me! "To whoever finds this
|
|
|
996 note, I have been imprisoned by my father, who wishes me to marry against
|
|
|
997 my will. Please, please, please come and rescue me. I am in the tall
|
|
|
998 tower of Swamp Castle." At last! A call, a cry of distress! This could
|
|
|
999 be the sign that leads us to the Holy Grail! Brave, brave Concorde! You
|
|
|
1000 shall not have died in vain!
|
|
|
1001 CONCORDE: Uh, I'm-I'm not quite dead, sir.
|
|
|
1002 LANCELOT: Well, you shall not have been mortally wounded in vain!
|
|
|
1003 CONCORDE: Uh, I-I think uh, I could pull through, sir.
|
|
|
1004 LANCELOT: Oh, I see.
|
|
|
1005 CONCORDE: Actually, I think I'm all right to come with you--
|
|
|
1006 LANCELOT: No, no, sweet Concorde! Stay here! I will send help as
|
|
|
1007 soon as I have accomplished a daring and heroic rescue in my own
|
|
|
1008 particular... (sigh)
|
|
|
1009 CONCORDE: Idiom, sir?
|
|
|
1010 LANCELOT: Idiom!
|
|
|
1011 CONCORDE: No, I feel fine, actually, sir.
|
|
|
1012 LANCELOT: Farewell, sweet Concorde!
|
|
|
1013 CONCORDE: I'll-uh, I'll just stay here, then, shall I, sir? Yeah.
|
|
|
1014
|
|
|
1015 Scene 16
|
|
|
1016
|
|
|
1017 LANCELOT: Ha-ha! etc.
|
|
|
1018 GUARD #1: Now, you're not allowed to come in here, and we're-ugh!
|
|
|
1019 LANCELOT: O fair one, behold your humble servant Sir Lancelot
|
|
|
1020 of Camelot. I have come to take -- oh, I'm terribly sorry.
|
|
|
1021 HERBERT: You got my note!
|
|
|
1022 LANCELOT: Uh, well, I got A note.
|
|
|
1023 HERBERT: You've come to rescue me!
|
|
|
1024 LANCELOT: Uh, well, no, you see--
|
|
|
1025 HERBERT: I knew that someone would, I knew that somewhere out there...
|
|
|
1026 there must be...
|
|
|
1027 [music]
|
|
|
1028 ...someone...
|
|
|
1029 FATHER: Stop that, stop that, stop it! Stop it! Who are you?
|
|
|
1030 HERBERT: I'm your son!
|
|
|
1031 FATHER: No, not you.
|
|
|
1032 LANCELOT: I'm Sir Lancelot, sir.
|
|
|
1033 HERBERT: He's come to rescue me, father.
|
|
|
1034 LANCELOT: Well, let's not jump to conclusions.
|
|
|
1035 FATHER: Did you kill all the guard?
|
|
|
1036 LANCELOT: Uh..., oh, yes. Sorry.
|
|
|
1037 FATHER: They cost fifty pounds each.
|
|
|
1038 LANCELOT: Well, I'm awfully sorry, I'm -- I really can explain everything.
|
|
|
1039 HERBERT: Don't be afraid of him, Sir Lancelot, I've got a rope all ready!
|
|
|
1040 FATHER: You killed eight wedding guests in all!
|
|
|
1041 LANCELOT: Well, you see, the thing is, I thought your son was a lady.
|
|
|
1042 FATHER: I can understand that.
|
|
|
1043 HERBERT: Hurry, Sir Lancelot! Hurry!
|
|
|
1044 FATHER: Shut up! You only killed the bride's father, that's all!
|
|
|
1045 LANCELOT: Well, I really didn't mean to...
|
|
|
1046 FATHER: Didn't mean to?! You put your sword right through his head!
|
|
|
1047 LANCELOT: Oh, dear. Is he all right?
|
|
|
1048 FATHER: You even kicked the bride in the chest! This is going to cost
|
|
|
1049 me a fortune!
|
|
|
1050 LANCELOT: Well, I can explain. I was in the forest, um, riding north
|
|
|
1051 from Camelot, when I got this note, you see--
|
|
|
1052 FATHER: Camelot? Are you from, uh, Camelot?
|
|
|
1053 HERBERT: Hurry, Sir Lancelot!
|
|
|
1054 LANCELOT: Uh, I am a Knight of King Arthur, sir.
|
|
|
1055 FATHER: Pretty nice castle, Camelot. Uh, pretty good pig country....
|
|
|
1056 LANCELOT: Yes.
|
|
|
1057 HERBERT: Hurry, I'm ready!
|
|
|
1058 FATHER: Would you, uh, like to come and have a drink?
|
|
|
1059 LANCELOT: Well, that's, uh, awfully nice of you.
|
|
|
1060 HERBERT: I am ready!
|
|
|
1061 [start to leave]
|
|
|
1062 LANCELOT: --I mean to be, so understanding.
|
|
|
1063 [thonk]
|
|
|
1064 HERBERT: Oooh!
|
|
|
1065 LANCELOT: Um, I think when I'm in this idiom, I sometimes get a bit,
|
|
|
1066 uh, sort of carried away.
|
|
|
1067 FATHER: Oh, don't worry about that.
|
|
|
1068 HERBERT: Oooh!
|
|
|
1069 [splat]
|
|
|
1070
|
|
|
1071 Scene 17
|
|
|
1072 [wailing]
|
|
|
1073 FATHER: Well, this is the main hall. We're going to have all this
|
|
|
1074 knocked through, and made into one big, uh, living room.
|
|
|
1075 RANDOM: There he is!
|
|
|
1076 FATHER: Oh, bloody hell.
|
|
|
1077 LANCELOT: Ha-ha! etc.
|
|
|
1078 FATHER: Hold it, hold it! Please!
|
|
|
1079 LANCELOT: Sorry, sorry. See what I mean, I just get carried away.
|
|
|
1080 I really must -- sorry, sorry! Sorry, everyone.
|
|
|
1081 RANDOM: He's killed the best man!
|
|
|
1082 [yelling]
|
|
|
1083 FATHER: Hold it, please! Hold it! This is Sir Lancelot from the
|
|
|
1084 gorge of Camelot -- a very brave and influential knight, and my special
|
|
|
1085 guest here today.
|
|
|
1086 LANCELOT: Hello.
|
|
|
1087 RANDOM: He killed my auntie!
|
|
|
1088 [yelling]
|
|
|
1089 FATHER: Please, please! This is supposed to be a happy occasion!
|
|
|
1090 Let's not bicker and argue about who killed who. We are here today to
|
|
|
1091 witness the union of two young people in the joyful bond of the holy
|
|
|
1092 wedlock. Unfortunately, one of them, my son Herbert, has just fallen
|
|
|
1093 to his death. But I think I've not lost a son, so much as... gained
|
|
|
1094 a daughter! For, since the tragic death of her father--
|
|
|
1095 RANDOM: He's not quite dead!
|
|
|
1096 FATHER: Since the near fatal wounding of her father--
|
|
|
1097 RANDOM: He's getting better!
|
|
|
1098 FATHER: For, since her own father... who, when he seemed about to
|
|
|
1099 recover, suddenly felt the icy hand fo death upon him,--
|
|
|
1100 [ugh]
|
|
|
1101 RANDOM: Oh, he's died!
|
|
|
1102 FATHER: And I want his only daughter to look upon me... as her own
|
|
|
1103 dad -- in a very real, and legally binding sense.
|
|
|
1104 [clapping]
|
|
|
1105 And I feel sure that the merger -- uh, the union -- between the Princess
|
|
|
1106 and the brave, but dangerous, Sir Lancelot of Camelot--
|
|
|
1107 LANCELOT: What?
|
|
|
1108 RANDOM: Look! The dead Prince!
|
|
|
1109 CONCORDE: He's not quite dead!
|
|
|
1110 HERBERT: Oh, I feel much better.
|
|
|
1111 FATHER: You fell out of the cold tower, you creep!
|
|
|
1112 HERBERT: No, I was saved at the last minute.
|
|
|
1113 FATHER: How?!
|
|
|
1114 HERBERT: Well, I'll tell you...
|
|
|
1115 [music]
|
|
|
1116 FATHER: Not like that! Not like that! No, stop it!
|
|
|
1117 SINGING: He's going to tell! He's going to tell!
|
|
|
1118 FATHER: Shut up!
|
|
|
1119 SINGING: He's going to tell! He's going to tell!
|
|
|
1120 He's going to tell! He's going to tell!
|
|
|
1121 He's going to tell! He's going to tell!
|
|
|
1122 He's going to tell! He's going to tell!
|
|
|
1123 CONCORDE: Quickly, sir! This way!
|
|
|
1124 LANCELOT: No, it's not in my idiom! I must escape more....(sigh)
|
|
|
1125 CONCORDE: Dramatically, sir?
|
|
|
1126 LANCELOT: Dramatically! Hee! Ha!
|
|
|
1127 [crash]
|
|
|
1128 Excuse me, could, uh, could somebody give me a push, please...?
|
|
|
1129
|
|
|
1130 Scene 18
|
|
|
1131
|
|
|
1132 [clop clop]
|
|
|
1133 ARTHUR: Old crone! Is there anywhere in this town where we could buy
|
|
|
1134 a shrubbery!
|
|
|
1135 [chord]
|
|
|
1136 CRONE: Who sent you?
|
|
|
1137 ARTHUR: The Knights Who Say Nee.
|
|
|
1138 CRONE: Agh! No! Never! We have no shrubberies here.
|
|
|
1139 ARTHUR: If you do not tell us where we can buy a shrubbery, my friend
|
|
|
1140 and I will say... we will say... 'nee'.
|
|
|
1141 CRONE: Agh! Do your worst!
|
|
|
1142 ARTHUR: Very well! If you will not assist us voluntarily,... nee!
|
|
|
1143 CRONE: No! Never! No shrubberies!
|
|
|
1144 ARTHUR: Nee!
|
|
|
1145 BEDEMIR: Noo! Noo!
|
|
|
1146 ARTHUR: No, no, no, no -- it's not that, it's 'nee'.
|
|
|
1147 BEDEMIR: Noo!
|
|
|
1148 ARTHUR: No, no -- 'nee'. You're not doing it properly.
|
|
|
1149 BEDEMIR: Noo! Nee!
|
|
|
1150 ARTHUR: That's it, that's it, you've got it.
|
|
|
1151 ARTHUR and BEDEMIR: Nee! Nee!
|
|
|
1152 ROGER: Are you saying 'nee' to that old woman?
|
|
|
1153 ARTHUR: Um, yes.
|
|
|
1154 ROGER: Oh, what sad times are these when passing ruffians can 'nee'
|
|
|
1155 at will to old ladies. There is a pestilence upon this land, nothing is
|
|
|
1156 sacred. Even those who arrange and design shrubberies are under
|
|
|
1157 considerable economic stress at this period in history.
|
|
|
1158 ARTHUR: Did you say 'shrubberies'?
|
|
|
1159 ROGER: Yes, shrubberies are my trade -- I am a shrubber. My name
|
|
|
1160 is Roger the Shrubber. I arrange, design, and sell shrubberies.
|
|
|
1161 BEDEMIR: Nee!
|
|
|
1162 ARTHUR: No! No, no, no! No!
|
|
|
1163
|
|
|
1164 Scene 19
|
|
|
1165
|
|
|
1166 ARTHUR: O, Knights of Nee, we have brought you your shrubbery. May we
|
|
|
1167 go now?
|
|
|
1168 HEAD KNIGHT: It is a good shrubbery. I like the laurels particularly.
|
|
|
1169 But there is one small problem.
|
|
|
1170 ARTHUR: What is that?
|
|
|
1171 HEAD KNIGHT: We are now... no longer the Knights Who Say Nee.
|
|
|
1172 RANDOM: Nee!
|
|
|
1173 HEAD KNIGHT: Shh shh. We are now the Knights Who Say Ecky-ecky-ecky-
|
|
|
1174 ecky-pikang-zoom-boing-mumble-mumble.
|
|
|
1175 RANDOM: Nee!
|
|
|
1176 HEAD KNIGHT: Therefore, we must give you a test.
|
|
|
1177 ARTHUR: What is this test, O Knights of-- Knights Who 'Til Recently
|
|
|
1178 Said Nee?
|
|
|
1179 HEAD KNIGHT: Firstly, you must find... another shrubbery!
|
|
|
1180 [chord]
|
|
|
1181 ARTHUR: Not another shrubbery!
|
|
|
1182 HEAD KNIGHT: Then, when you have found the shrubbery, you must place
|
|
|
1183 it here beside this shrubbery, only slightly higher so you get a
|
|
|
1184 two-level effect with a little path running down the middle.
|
|
|
1185 RANDOM: A path! A path! Nee!
|
|
|
1186 HEAD KNIGHT: Then, when you have found the shrubbery, you must cut
|
|
|
1187 down the mightiest tree in the forest... with... a herring!
|
|
|
1188 [chord]
|
|
|
1189 ARTHUR: We shall do no such thing!
|
|
|
1190 HEAD KNIGHT: Oh, please!
|
|
|
1191 ARTHUR: Cut down a tree with a herring? It can't be done.
|
|
|
1192 KNIGHTS: Aaaaugh! Aaaugh!
|
|
|
1193 HEAD KNIGHT: Don't say that word.
|
|
|
1194 ARTHUR: What word?
|
|
|
1195 HEAD KNIGHT: I cannot tell, suffice to say is one of the words
|
|
|
1196 the Knights of Nee cannot hear.
|
|
|
1197 ARTHUR: How can we not say the word if you don't tell us what it is?
|
|
|
1198 KNIGHTS: Aaaaugh! Aaaugh!
|
|
|
1199 ARTHUR: What, 'is'?
|
|
|
1200 HEAD KNIGHT: No, not "is" -- we couldn't get vary far in life not
|
|
|
1201
|
|
|
1202 Ooops I'm out of time. i'll send the rest tomorrow.
|
|
|
1203
|
|
|
1204 Eric
|